{"id":2261,"date":"2018-04-27T15:22:59","date_gmt":"2018-04-27T15:22:59","guid":{"rendered":"https:\/\/dramaturgiesonore.com\/?p=2261"},"modified":"2021-10-13T20:55:03","modified_gmt":"2021-10-13T20:55:03","slug":"cartographie-sonore-et-scene-sans-bord","status":"publish","type":"post","link":"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/","title":{"rendered":"Cartographie sonore et sc\u00e8ne sans bord"},"content":{"rendered":"\t\t
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Un livre de de Jean-Paul Qu\u00e9innec (dir.), Gis\u00e8le Cormier et Elaine Juteau.<\/p>\n\n\n\n

\u00ab Cartographies de l\u2019attente fut l\u2019un de nos projets les plus significatifs de cette recherche sonore au th\u00e9\u00e2tre. Nous l\u2019avons commenc\u00e9 en juin 2014 dans un motel \u00e0 Chicoutimi o\u00f9, pendant quatre jours, quatre performeuses ont attendu un homme qui n\u2019est jamais venu\u2026 Une recherche d\u2019\u00e9criture(s) in situ o\u00f9 la mise en r\u00e9seau des chambres s\u2019est d\u00e9ploy\u00e9e sur le Web. De l\u00e0, notre processus multimodal s\u2019est encore \u00e9prouv\u00e9 \u00e0 l\u2019Usine C \u00e0 Montr\u00e9al, au Mapa Teatro \u00e0 Bogota, pour revenir en 2016, vers une sc\u00e8ne assur\u00e9ment performative et plurielle (sur le plan des m\u00e9diums, des disciplines, des cultures, des espaces, etc.) \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi.<\/p>\n\n\n\n

 Pour restituer la densit\u00e9 de cette recherche cr\u00e9ation, le livre num\u00e9rique s\u2019est impos\u00e9. Avec Gis\u00e8le Cormier et Elaine Juteau, nous avons con\u00e7u Cartographie sonore et sc\u00e8ne sans bord, pour enfin donner \u00e0 entendre l\u2019h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 de nos approches sonores, tout en entrecroisant des textes (critiques et cr\u00e9atifs) \u00e0 des galeries photos, des dessins \u00e0 de courtes vid\u00e9o (au motel, sur le Web et sur sc\u00e8ne), des cr\u00e9ations sonores \u00e0 des entretiens.\u00bb<\/p>\n<\/div>\n<\/div>\n\n\n\n

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CONSULTER LE LIVRE<\/a><\/div>\n<\/div>\n\n\n\n

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D\u00c9COUVRIR D'AUTRES PUBLICATIONS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tDispositifs sonores : corps, sc\u00e8nes et atmosph\u00e8res\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 mai 2019\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b04 : Les phonographies maritimes – Ville port Saint-Nazaire France\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t4 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b03 : Le silence finit par \u00eatre \u00e9crapouti (installation performative)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t3 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b02 : Danse transm\u00e9diatique\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t2 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b01 : Phonographie mobile Charles Buckell\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEn situation : du son \u00e0 l\u2019\u00e9criture \/ de Chicoutimi \u00e0 Bogot\u00e1\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t17 mars 2014\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Un livre de de Jean-Paul Qu\u00e9innec (dir.), Gis\u00e8le Cormier et Elaine Juteau. \u00ab Cartographies de l\u2019attente fut l\u2019un de nos projets les plus significatifs de<\/p>\n","protected":false},"author":1,"featured_media":2262,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"yoast_head":"\nCartographie sonore et sc\u00e8ne sans bord - Dramaturgie sonore au th\u00e9\u00e2tre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cartographie sonore et sc\u00e8ne sans bord - Dramaturgie sonore au th\u00e9\u00e2tre\" \/>\n<meta property=\"og:description\" content=\"Un livre de de Jean-Paul Qu\u00e9innec (dir.), Gis\u00e8le Cormier et Elaine Juteau. \u00ab Cartographies de l\u2019attente fut l\u2019un de nos projets les plus significatifs de\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/\" \/>\n<meta property=\"og:site_name\" content=\"Dramaturgie sonore au th\u00e9\u00e2tre\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-27T15:22:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-13T20:55:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/sans-bord-back.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1079\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"3 minutes\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dramaturgiesonore.com\/#website\",\"url\":\"https:\/\/dramaturgiesonore.com\/\",\"name\":\"Dramaturgie sonore au th\\u00e9\\u00e2tre\",\"description\":\"Recherche en dramaturgie sonore\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/dramaturgiesonore.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/#primaryimage\",\"inLanguage\":\"fr-CA\",\"url\":\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/sans-bord-back.jpg\",\"width\":1920,\"height\":1079},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/#webpage\",\"url\":\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/\",\"name\":\"Cartographie sonore et sc\\u00e8ne sans bord - 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