{"id":2254,"date":"2018-01-03T15:11:00","date_gmt":"2018-01-03T15:11:00","guid":{"rendered":"https:\/\/dramaturgiesonore.com\/?p=2254"},"modified":"2021-10-13T21:03:59","modified_gmt":"2021-10-13T21:03:59","slug":"cahier-de-phonographie-n3-le-silence-finit-par-etre-ecrapouti-installation-performative","status":"publish","type":"post","link":"https:\/\/dramaturgiesonore.com\/publications\/cahier-de-phonographie-n3-le-silence-finit-par-etre-ecrapouti-installation-performative\/","title":{"rendered":"Cahier de phonographie n\u00b03 : Le silence finit par \u00eatre \u00e9crapouti (installation performative)"},"content":{"rendered":"\t\t
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Sous la direction de Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. Cindy Dumais<\/a><\/strong> \/ La Clignotante.<\/p>\n\n\n\n

\u00ab Pour cette troisi\u00e8me recherche-cr\u00e9ation, en ao\u00fbt 2017, nous sommes partis croyant aller tout \u00e0 fait ailleurs. \u00c0  la demande de Laurence Brunnelle-C\u00f4t\u00e9 et avec elle, Andr\u00e9e-Anne Gigu\u00e8re, Ninon Jamet, Guillaume Thibert et Jean-Paul Qu\u00e9innec, nous nous sommes rendus aupr\u00e8s des moniales de Shawinigan, croyant vivre une exp\u00e9rience du silence que nous retrouvons plus au quotidien\/ Nous nous sommes pr\u00e9par\u00e9s croyant rencontrer un monde contemplatif et reclus. Notre qu\u00eate sonore fut une r\u00e9v\u00e9lation de la vie monacale mais loin de notre attente romanesque et cliqu\u00e9e.\u00bb<\/p>\n<\/div>\n<\/div>\n\n\n\n

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CONSULTER LE LIVRE<\/a><\/div>\n\n\n\n
CONSULTER LE CAHIER DES CORRESPONDANCES<\/a><\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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D\u00c9COUVRIR D'AUTRES PUBLICATIONS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tDispositifs sonores : corps, sc\u00e8nes et atmosph\u00e8res\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 mai 2019\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCartographie sonore et sc\u00e8ne sans bord\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t27 avril 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b04 : Les phonographies maritimes – Ville port Saint-Nazaire France\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t4 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b02 : Danse transm\u00e9diatique\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b01 : Phonographie mobile Charles Buckell\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEn situation : du son \u00e0 l\u2019\u00e9criture \/ de Chicoutimi \u00e0 Bogot\u00e1\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t17 mars 2014\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Sous la direction de Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. Cindy Dumais \/ La Clignotante. \u00ab Pour cette troisi\u00e8me recherche-cr\u00e9ation, en ao\u00fbt 2017, nous<\/p>\n","protected":false},"author":1,"featured_media":2255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"yoast_head":"\nCahier de phonographie n\u00b03 : Le silence finit par \u00eatre \u00e9crapouti (installation performative) - Dramaturgie sonore au th\u00e9\u00e2tre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dramaturgiesonore.com\/publications\/cahier-de-phonographie-n3-le-silence-finit-par-etre-ecrapouti-installation-performative\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cahier de phonographie n\u00b03 : Le silence finit par \u00eatre \u00e9crapouti (installation performative) - Dramaturgie sonore au th\u00e9\u00e2tre\" \/>\n<meta property=\"og:description\" content=\"Sous la direction de Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. 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