{"id":2245,"date":"2018-01-02T14:54:17","date_gmt":"2018-01-02T14:54:17","guid":{"rendered":"https:\/\/dramaturgiesonore.com\/?p=2245"},"modified":"2021-10-13T21:02:00","modified_gmt":"2021-10-13T21:02:00","slug":"cahier-de-phonographie-n2-danse-transmediatique","status":"publish","type":"post","link":"https:\/\/dramaturgiesonore.com\/publications\/cahier-de-phonographie-n2-danse-transmediatique\/","title":{"rendered":"Cahier de phonographie n\u00b02 : Danse transm\u00e9diatique"},"content":{"rendered":"\t\t
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Sous la direction de\u00a0 Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. Cindy Dumais \/ La Clignotante.\u00a0<\/p>\n\n\n\n

\u00abPour cette deuxi\u00e8me phonographie, nous voulions donner plus ouvertement une place \u00e0 ce corps. Mais quel corps ? Nous avons convoqu\u00e9 celui organique et incarn\u00e9 qui joue des technologie all\u00e9g\u00e9es, mais aussi, celui capable de se d\u00e9ployer. Le principe de nos phonographies repose aussi sur une influence, une induction \u00e0 notre \u00e9coute. C\u2019est \u00e0 Emmanuelle Huyn, chor\u00e9graphe et directrice de la compagnie M\u00f9a, et \u00e0 Matthieu Doze, pour investir indiff\u00e9remment les types de captation. […] Nous avons choisi Val-Jalbert, un village historique qu\u00e9b\u00e9cois exceptionnellement conserv\u00e9 et restaur\u00e9 qui t\u00e9moigne de la culture ouvri\u00e8re sp\u00e9cifique \u00e0 la p\u00e2te \u00e0 papier. Situ\u00e9 entre le lac Saint-Jean et la chute de la rivi\u00e8re Ouiatchouan, cet environnement nous permettait de relier le son \u00e0 une dimension culturelle.\u00bb\u00ad<\/p>\n<\/div>\n<\/div>\n\n\n\n

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CONSULTER LE LIVRE<\/a><\/div>\n<\/div>\n\n\n\n

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D\u00c9COUVRIR D'AUTRES PUBLICATIONS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tDispositifs sonores : corps, sc\u00e8nes et atmosph\u00e8res\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 mai 2019\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCartographie sonore et sc\u00e8ne sans bord\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t27 avril 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b04 : Les phonographies maritimes – Ville port Saint-Nazaire France\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t4 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b03 : Le silence finit par \u00eatre \u00e9crapouti (installation performative)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t3 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCahier de phonographie n\u00b01 : Phonographie mobile Charles Buckell\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t1 janvier 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEn situation : du son \u00e0 l\u2019\u00e9criture \/ de Chicoutimi \u00e0 Bogot\u00e1\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t17 mars 2014\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Sous la direction de\u00a0 Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. Cindy Dumais \/ La Clignotante.\u00a0 \u00abPour cette deuxi\u00e8me phonographie, nous voulions donner plus ouvertement<\/p>\n","protected":false},"author":1,"featured_media":2246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"yoast_head":"\nCahier de phonographie n\u00b02 : Danse transm\u00e9diatique - Dramaturgie sonore au th\u00e9\u00e2tre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dramaturgiesonore.com\/publications\/cahier-de-phonographie-n2-danse-transmediatique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cahier de phonographie n\u00b02 : Danse transm\u00e9diatique - Dramaturgie sonore au th\u00e9\u00e2tre\" \/>\n<meta property=\"og:description\" content=\"Sous la direction de\u00a0 Jean-Paul Qu\u00e9innec et Andr\u00e9e-Anne Gigu\u00e8re (2018), ed. 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