{"id":1954,"date":"2014-03-21T18:36:34","date_gmt":"2014-03-21T18:36:34","guid":{"rendered":"https:\/\/dramaturgiesonore.com\/?p=1954"},"modified":"2021-10-13T21:28:58","modified_gmt":"2021-10-13T21:28:58","slug":"du-dispositif-sonore-au-renouvellement-de-la-pratique-scenique","status":"publish","type":"post","link":"https:\/\/dramaturgiesonore.com\/colloques\/du-dispositif-sonore-au-renouvellement-de-la-pratique-scenique\/","title":{"rendered":"Du dispositif sonore au renouvellement de la pratique sc\u00e9nique"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1954\" class=\"elementor elementor-1954\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4f9c1403 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4f9c1403\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-34289ef3\" data-id=\"34289ef3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-33b5866 elementor-widget elementor-widget-text-editor\" data-id=\"33b5866\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><!-- wp:paragraph -->\n<p>Les 21 et 22 mars 2014, notre \u00e9v\u00e8nement interroge les pratiques sc\u00e9nique. La porosit\u00e9 de la sc\u00e8ne contemporaine, avec l\u2019ensemble des arts et de domaines hors du champ artistique, engage vers des perspectives de recherche, de cr\u00e9ation et de formation particuli\u00e8rement stimulantes. Les nouvelles pratiques du son participent assur\u00e9ment de cette transformation. Aujourd\u2019hui, la recherche-cr\u00e9ation en son se manifeste \u00e0 travers un champ d\u2019exp\u00e9riences interm\u00e9diales dont la mouvance des territoires et des fonctions place le chercheur, l\u2019artiste comme le spectateur devant des sujets et des dispositifs plus complexes, devant de nouveaux d\u00e9fis.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>C\u2019est bien ce potentiel que le colloque international \u00ab Du dispositif sonore au renouvellement de la pratique sc\u00e9nique \u00bb se propose de mettre en valeur sous forme de communications et\/ou de d\u00e9monstrations pratiques, et \u00e0 travers les axes suivants :<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Manipulation du sonnant : tactilit\u00e9 et corpor\u00e9it\u00e9 du son \u00e0 travers des dispositifs d\u2019espace, de jeu, de voix et de texte.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:list -->\n<ul><li>Technologie et spatialisation : Quand le son n\u2019est plus seulement un objet mais un lieu \u00e0 habiter.<\/li><li>\u00c9coute \u00e9cologique : de l\u2019in situ \u00e0 la dimension politico-culturelle du son.<\/li><li>M\u00e9diation sonore : performance radiophonique et sur r\u00e9seau informatique.<\/li><li>La r\u00e9sonnance : comment fait-on \u00e9couter le spectateur qui regarde ?<\/li><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Autant de th\u00e9matiques, sur le processus de cr\u00e9ation sonore, qui peuvent afficher leur dimension exp\u00e9rientielle ou s\u2019illustrer \u00e0 partir d\u2019une oeuvre achev\u00e9e, qui font de ce colloque une possibilit\u00e9 d\u2019\u00e9changes entre chercheurs et chercheurs-cr\u00e9ateurs du th\u00e9\u00e2tre, des arts vivants et des arts performatifs en g\u00e9n\u00e9ral.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Cet \u00e9v\u00e8nement est financ\u00e9 par &nbsp;la Chaire de recherche du Canada en dramaturgie sonore au th\u00e9\u00e2tre, l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi, le CELAT, le FRQSC et Promotion Saguenay.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nous remercions la Galerie L\u2019\u0153uvre de l\u2019autre, le SCAN, le CRIalt, l\u2019Universit\u00e9 Laval et la SQET.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:spacer -->\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:buttons {\"align\":\"center\"} -->\n<div class=\"wp-block-buttons aligncenter\"><!-- wp:button {\"borderRadius\":0,\"backgroundColor\":\"vivid-red\",\"textColor\":\"white\"} -->\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-vivid-red-background-color has-text-color has-background no-border-radius\" href=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/programme_colloque_2014.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">PROGRAMME PDF<\/a><\/div>\n<!-- \/wp:button --><\/div>\n<!-- \/wp:buttons -->\n\n<!-- wp:spacer -->\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:image {\"align\":\"center\",\"id\":1959,\"width\":580,\"height\":895,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque_promo_1-663x1024.jpg\" alt=\"\" class=\"wp-image-1959\" width=\"580\" height=\"895\" srcset=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque_promo_1-663x1024.jpg 663w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque_promo_1-194x300.jpg 194w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque_promo_1.jpg 703w\" sizes=\"(max-width: 580px) 100vw, 580px\" \/><\/figure><\/div>\n<!-- \/wp:image -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><em>Cr\u00e9dits: Charlotte Moreau de la Fuente<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:spacer -->\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:heading -->\n<h2><strong>CONF\u00c9RENCE INAUGURALE <\/strong><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:heading -->\n<h2><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Marie- Madeleine Mervant-Roux et Jean-Marc Larrue\u2013 Le th\u00e9\u00e2tre et les nouveaux r\u00e9gimes auraux : du triomphe du magn\u00e9tophone \u00e0 celui du format MP3<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:html -->\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/135580708\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n<!-- \/wp:html -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:spacer -->\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:buttons {\"align\":\"center\"} -->\n<div class=\"wp-block-buttons aligncenter\"><!-- wp:button {\"borderRadius\":0,\"backgroundColor\":\"vivid-red\",\"textColor\":\"white\"} -->\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-vivid-red-background-color has-text-color has-background no-border-radius\" href=\"https:\/\/vimeo.com\/channels\/1267938\" target=\"_blank\" rel=\"noreferrer noopener\">CONSULTER LA GALERIE VID\u00c9O<\/a><\/div>\n<!-- \/wp:button --><\/div>\n<!-- \/wp:buttons -->\n\n<!-- wp:spacer -->\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:heading -->\n<h2><strong>PUBLICATION<\/strong><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:spacer {\"height\":50} -->\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:paragraph -->\n<p><em>Dispositifs sonores : corps, sc\u00e8nes et atmosph\u00e8res<\/em>, LARRUE Jean-Marc, PISANO Giusy, QUEINNEC Jean-Paul, Editions PU Montr\u00e9al, 2019&nbsp;<\/p>\n<!-- \/wp:paragraph --><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3f9afc9b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3f9afc9b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-430e4643\" data-id=\"430e4643\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-34df8c1e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"34df8c1e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-214ee2cf\" data-id=\"214ee2cf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e21be14 elementor-widget elementor-widget-heading\" data-id=\"e21be14\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">D\u00c9COUVRIR D'AUTRES ACTIVIT\u00c9S<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2798b597 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"2798b597\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-292e9765 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"292e9765\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-c8f0652\" data-id=\"c8f0652\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-19e3aa9c elementor-grid-4 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-posts--thumbnail-top elementor-widget elementor-widget-posts\" data-id=\"19e3aa9c\" data-element_type=\"widget\" data-settings=\"{&quot;classic_columns&quot;:&quot;4&quot;,&quot;classic_columns_tablet&quot;:&quot;2&quot;,&quot;classic_columns_mobile&quot;:&quot;1&quot;,&quot;classic_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]}}\" data-widget_type=\"posts.classic\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-posts-container elementor-posts elementor-posts--skin-classic elementor-grid\">\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2347 post type-post status-publish format-standard has-post-thumbnail hentry category-colloques\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/colloque-radio-gestes-sans-bord\/\" >\n\t\t\t<div class=\"elementor-post__thumbnail\"><img width=\"300\" height=\"169\" src=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/CRC_banniere_WEB-300x169.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/CRC_banniere_WEB-300x169.jpg 300w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/CRC_banniere_WEB-1024x576.jpg 1024w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/CRC_banniere_WEB-768x432.jpg 768w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/CRC_banniere_WEB.jpg 1366w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/dramaturgiesonore.com\/colloques\/colloque-radio-gestes-sans-bord\/\" >\n\t\t\t\tColloque Radio Geste(s) sans bord\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t8 f\u00e9vrier 2021\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/colloque-radio-gestes-sans-bord\/\" >\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1965 post type-post status-publish format-standard has-post-thumbnail hentry category-colloques\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-mobilites-du-processus-de-creation\/\" >\n\t\t\t<div class=\"elementor-post__thumbnail\"><img width=\"300\" height=\"125\" src=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header-300x125.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header-300x125.jpg 300w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header-1024x427.jpg 1024w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header-768x320.jpg 768w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header-1536x640.jpg 1536w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/colloque-mobilites-header.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-mobilites-du-processus-de-creation\/\" >\n\t\t\t\tLes mobilit\u00e9s du processus de cr\u00e9ation\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t10 mai 2018\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-mobilites-du-processus-de-creation\/\" >\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1991 post type-post status-publish format-standard has-post-thumbnail hentry category-colloques\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-pratiques-contemporaines-de-lecriture-pour-la-scene\/\" >\n\t\t\t<div class=\"elementor-post__thumbnail\"><img width=\"300\" height=\"125\" src=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header-300x125.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header-300x125.jpg 300w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header-1024x427.jpg 1024w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header-768x320.jpg 768w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header-1536x640.jpg 1536w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/pratiques-contemporaine-header.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-pratiques-contemporaines-de-lecriture-pour-la-scene\/\" >\n\t\t\t\tLes pratiques contemporaines de l&rsquo;\u00e9criture pour la sc\u00e8ne\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t29 septembre 2016\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/les-pratiques-contemporaines-de-lecriture-pour-la-scene\/\" >\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-1945 post type-post status-publish format-standard has-post-thumbnail hentry category-colloques\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/atelier-de-recherche-creation-en-theatre-dans-le-milieu-universitaire\/\" >\n\t\t\t<div class=\"elementor-post__thumbnail\"><img width=\"300\" height=\"125\" src=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header-300x125.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header-300x125.jpg 300w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header-1024x427.jpg 1024w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header-768x320.jpg 768w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header-1536x640.jpg 1536w, https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/01\/atelier-recherche-creation-uni-header.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/dramaturgiesonore.com\/colloques\/atelier-de-recherche-creation-en-theatre-dans-le-milieu-universitaire\/\" >\n\t\t\t\tAtelier de recherche-cr\u00e9ation en th\u00e9\u00e2tre dans le milieu universitaire\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t1 juin 2012\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<a class=\"elementor-post__read-more\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/atelier-de-recherche-creation-en-theatre-dans-le-milieu-universitaire\/\" >\n\t\t\t\tEN SAVOIR PLUS \u00bb\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Les 21 et 22 mars 2014, notre \u00e9v\u00e8nement interroge les pratiques sc\u00e9nique. La porosit\u00e9 de la sc\u00e8ne contemporaine, avec l\u2019ensemble des arts et de domaines<\/p>\n","protected":false},"author":1,"featured_media":1955,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Du dispositif sonore au renouvellement de la pratique sc\u00e9nique - Dramaturgie sonore au th\u00e9\u00e2tre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dramaturgiesonore.com\/colloques\/du-dispositif-sonore-au-renouvellement-de-la-pratique-scenique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Du dispositif sonore au renouvellement de la pratique sc\u00e9nique - Dramaturgie sonore au th\u00e9\u00e2tre\" \/>\n<meta property=\"og:description\" content=\"Les 21 et 22 mars 2014, notre \u00e9v\u00e8nement interroge les pratiques sc\u00e9nique. 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