{"version":"1.0","provider_name":"Dramaturgie sonore au th\u00e9\u00e2tre","provider_url":"https:\/\/dramaturgiesonore.com","author_name":"Alexisl","author_url":"https:\/\/dramaturgiesonore.com\/author\/alexisl\/","title":"Cartographie sonore et sc\u00e8ne sans bord - Dramaturgie sonore au th\u00e9\u00e2tre","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/\">Cartographie sonore et sc\u00e8ne sans bord<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dramaturgiesonore.com\/publications\/cartographie-sonore-et-scene-sans-bord\/embed\/\" width=\"600\" height=\"338\" title=\"&laquo; Cartographie sonore et sc\u00e8ne sans bord &raquo; &#8212; Dramaturgie sonore au th\u00e9\u00e2tre\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/dramaturgiesonore.com\/wp-content\/uploads\/2021\/02\/sans-bord-back.jpg","thumbnail_width":1920,"thumbnail_height":1079,"description":"Un livre de de Jean-Paul Qu\u00e9innec (dir.), Gis\u00e8le Cormier et Elaine Juteau. \u00ab Cartographies de l\u2019attente fut l\u2019un de nos projets les plus significatifs de cette recherche sonore au th\u00e9\u00e2tre. Nous l\u2019avons commenc\u00e9 en juin 2014 dans un motel \u00e0 Chicoutimi o\u00f9, pendant quatre jours, quatre performeuses ont attendu un homme qui n\u2019est jamais venu\u2026 [&hellip;]"}